The Panasonic AG-HPX255 Camera and BT-LH1850 Monitor
I could see shooting a variety of projects with this camera
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The Panasonic AC160
 The Panasonic AC160 really surprised me, and not because I wasn't expecting such high quality -- I was -- but because for the price point (between $4100 and $4799), I was sort of expecting a small camera, like the Sony NX5U or some of the smaller Canons. This is a larger, but not heavy, handheld camera that's about the same size as the Panasonic HPX250. Images are crisp in full HD 1080p, the controls are simple to use and it does well in low light with its 1/3-inch 3-MOS sensors, and you easily can customize looks. The multiple frame rate and recording options are also superb, helping make this a quality camera for shooters involved with film, run-and-gun video, documentaries and more.
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Twixtor: 30p to 24p in After Effects
 Twixtor, from Re:Vision Effects, Inc., has been around for a while. It works with Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro (X and 7), Autodesk combustion, flame, Maya Composite, Avid, Foundry Nuke, Sony Vegas Pro, and several others. It changes speed, timing, and frame rates of footage (frame rate conversion is currently only available with After Effects or Combustion). Twixtor does this by warping and interpolating new frames from the original footage using RE:Vision's proprietary tracking technology to calculate every individual pixel's motion in a sequence.
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Tamron 18~200mm F/3.5-6.3 Di III VC E-Mount Lens
 The NEX 7 I have not seen before, but apart from one and a half little niggles, I am in love with this little beastie; it takes fantastic shots. And the niggle and a bit? The viewfinder as it brings up my left eye dominant issue is the big one. The half is as it has an auto LCD to viewfinder switch when you look through the viewfinder, if you wear glasses, sometimes it does 'sense' you unless you press hard against the rubber cup and this tends to smear your specs.
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PluralEyes - Sound Synching Software from Singular Software
 Singular Software has a range of sound synching software available. PluralEyes is the flagship. It works specifically with particular nominated software so you must obtain the one that suits your software. PluralEyes will only play with Green Valley Edius, Adobe Premiere Pro, Sony Vegas, Apple's Final Cut Pro and Avid's Media composer. For each of these editing program, Singular Software provides a specific set in instructions which, at first to me at least, sounded a bit arcane, but in fact turned out to be easy to follow. The end result is an additional sequence inserted into to your project with the sounds all lined up.
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NAB Professional Gear: Wacom
 For years, Wacom tablets have dominated the professional market; their name synonymous with responsive, accurate results. The new Intuos5 tablet heralds a new definition for what tablets can be. Not only is this pressure sensitive for your designer needs, but it also boasts a touch capability. Now more than ever, you'll find yourself with your Wacom all day long.
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 Hot off two 'Best in Show' Awards at the 2013 National Association of Broadcasters Convention (NAB) in Las Vegas last month, Autodesk, Inc. (N
Read More Probell Films` real horror
Probell Films is known for their indie films, especially in the (B) Horror genre.
Although Maureen "Mo" Whelan and crew are already working on t
Read More NAB 2013: Digieffects for FinalCutPro and more
If you're looking for some of DE's theme-based plugins all in one package, you've got it. Phenomena is only $99. All editors can get
Read More NAB 2013: AJA new drivers support Adobe
Are you going to NAB? If so, you're definitely a video professional. If you're a video pro, then you definitely know about AJA'
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